IMMERSIVE ART SHOWCASE
November 14 to 20th 2025 + Friday to Thursday, 6-9 PM
Explore the power of the reset. Four visionary artists transform space through immersive installations and multi-sensory projections, redefining how we perceive change and renewal. This free public event is an invitation to engage, question, and immerse yourself in a living, breathing artistic experience. Meet the creators, interact with their work, and discover and dream.
EXPERIENCES
November 14-20, 2025 + Friday to Thursday, 6-9 PM
“Water Connects” + Projector Club + Joanna Streetly
THE EXPERIENCE | “Water Connects”
Step inside a shifting waterscape, where a recorded voice ripples among projected surfaces. The theory of water having memory becomes an experiential metaphor: carrying stories, loss, and renewal across distance and time. More than a reading of poems, it is a journey: like entering a canoe of sound and light, where each body present is carried into the current.
Scrying (n.) — A form of divination using reflective or translucent surfaces—such as water, glass, or crystal—to glimpse hidden meanings or visions. In this work, scrying evokes the idea that water has memory, carrying and revealing stories across time.
Drawing from Joanna Streetly's recorded poems and scrying sessions with Tofino water, the studios walls transform into a flowing, luminous environment—at once intimate and vast.
Six years ago, Joanna's Streetly's two stepsons and their boat disappeared into the ocean on an eerily calm night, barely 200 feet from Tofino on the west coast of Vancouver Island, BC.
Water Connects includes poems from her book All of Us Hidden, poems that inhabit Tla-o-qui-aht traditional territory, the remote summer whaling islet where Streetly lived for several years with her former partner and stepsons. In the aftermath of the boys' disappearance, she returns to the island to document how both she and the island might have changed. Streetly's poetry ripples out beyond location and loss, into a broader investigation of time's capricious shaping and re-shaping of children, parents, Earth and the self.
Explore the virtual chapbook Dear Island which includes audio poems, visuals and more at https://www.joannastreetly.com/chapbooks
THE ARTISTS | Haus of Owl Projector Club
Water Connects foregrounds Haus of Owl's Projector Club's ethos of "collective making," extending poetry beyond the page and across geography, uniting audiences through art, technology, and nature. Haus of Owl's Projector Club invites audiences into Water Connects, a multi-sensory installation merging poetry, projection, and the living presence of water.
MARCH 10-15, 2025 + Monday-Friday, 6-9 PM + Saturday, 10AM-1PM
“BARDO” + MOVE37XR Collective
THE EXPERIENCE
“Bardo” is an interactive installation beautifully intertwines the Earth’s water cycle with our own human life cycles. Participants will transform from rain into a powerful river, and eventually return as mist, reflecting on our connection to nature. Led by the visionary duo John Desnoyers-Stewart and Pravin Pillay, MOVE37XR Collective invites you to explore the profound relationships we share with the environment.
THE ARTISTS
MOVE37XR (M37) is a dynamic non-profit creative studio and emerging media research lab committed to crafting compelling transformative experiences that unite immersive art, cutting-edge technology, and our shared human experience. “Bardo” is a collaboration between John Desnoyers-Stewart and Pravin Pillay, with music by Ruby Singh.
MARCH 24-29, 2025 + Monday-Friday, 6-9 PM + Saturday, 10AM-1PM
“Approach & Recede” + Leanne Olson
THE EXPERIENCE | “Approach & Recede”
Approach & Recede
When we are immersed in a room that is an image, what is conjured? What stirs, what comes to mind? There’s a gap in understanding, a momentary lapse between making sense of what we are experiencing. What’s the idea that’s internal, what’s the idea that’s projected, and what’s the idea that’s adopted?
How are gaps in understanding filled? What do we bring to the surface to parse together a view in a time of discomforting unknowing? These gaps are ripe. These gaps can shift views, creating internal storms that stage a temporary perception. These gaps are leveraged, whether in online spaces, polarization, grift culture, lobbyist lures. The impetus for Approach & Recede is to create a digitally disintegrating in-between space, for the possibility of staying suspended in the moment before an opinion, judgement or affirmative decision is hatched.
THE ARTIST | Leanne Olson
Leanne Olson is an artist, educator, curator and writer. During the last decade, Olson’s work has focused on land and water bodies that are tasked with jobs: landfills, sulphurous springs, and recreational lakes. Her practice includes repeat visitation and empathic documentation of these sites as they are entangled in massive change. The subjects in her images are often micro captures of ecosystems adapting to human odds and responding to the effects of time. In 2019, her solo exhibition With All Things Considered opened at the Mitchell Art Gallery and in 2021 she had a chapter published in the book Right Research: Modelling Sustainable Research Practices in the Anthropocene. In 2021, Olson completed a Master of Fine Arts in Photography at the University of Victoria. Since then, she has been teaching as a Sessional Lecturer and is Curator of The Vault Gallery.
April 7-12, 2025 + Monday-Friday, 6-9 PM + Saturday, 10AM-1PM
“Resting Phase” + Kemi Craig
THE EXPERIENCE | “Resting Phase”
Resting Phase is an immersive, interactive art installation combining the somatic experience of rocking with a meditative soundscape and visual content. Inspired by iconography of the American South, Resting Phase centers the rocking chair as a place of rest and imagination. It prompts us to consider the necessity of pause to connect to our possibilities alongside the ways that common objects in our domestic spaces can provide moments of transcendence in everyday life.
THE ARTIST | Kemi Craig
Kemi Craig (she/her) is an interdisciplinary artist primarily working through dance and media based here in the Lkwungen and W̱SÁNEĆ territories. Her experience as a woman of the African diaspora inspires her art, amplifying underheard historical and contemporary narratives with our collective futures. With a belief that audiences are active participants who close the circle of creation in any work, she strives to amplify engagement through collective making and collaboration. Her work draws complex relationships between cultural production, identity and lived experiences using methods that are site-specific, multi-sensory and immersive. A graduate from Emily Carr University of Art Design with a Masters degree in Fine Art, she creates public art, exhibitions and performances across Canada.
This project is proudly supported by the City of Victoria through the Our DWTN Ideas Fund.